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- Remove Silence in Logic Pro and Match Video in Final Cut Pro - Forum |
Logic pro x delete silence free.Try Logic Pro free for 90 days.
problem with Logic Pro x remove silence f… - Apple Community - 1. Destructive editing
After reviewing a number of quality of life techniques recently , today we are taking a closer look at how to Remove Silence in Logic Pro X.
Anyone who records audio will know good and well how tedious it can be to edit the undesirable noise out of a recording. It is a basic tool you can use to remove the unwanted noise in an audio region.
Using a series of basic controls, you can influence the way with which that determination is made. In other words, Logic will analyze the file automatically for you, and then using the visual aid provided, we can adjust the Threshold, Minimum Time, Pre-Attack, and Post-Release settings to ensure it is only removing the parts of the file we want. At which point, the audio region will then get automatically chopped up — the original performance otherwise untouched — into new regions with all of the unwanted or noisy areas in the original selection removed.
Threshold is how we adjust the sensitivity. Today's Posts competitions support us FAQ advertise our advertisers newsletter. When you buy products through links across our site, we may earn an affiliate commission. Learn more. Strip Silence not working. They did a 'good' job hiding 'Strip Silence'. I have no idea why.
One of my most used functions and probably for lots of other people Anyway now that I have found the function, it does not allow me to use it. Once you go back to FCP, you still have a full length still, and have to manually cut the video track down to match the remaining audio.
So doing the automated silence removal in Logic does zero good for editing video in FCP. You simply have to do it manually in FCP. Or if only logic pro could mark the silences and export to fcp then let fcp do the trimming by the marks You can see in the waveform where the silence is. But no, there's not automated way to do this in FCP. They range from the simplest of cursor and keyboard moves to both nondestructive and destructive editing trickery, as well as some of the more complex audio manipulation features available, such as flexible timestretch editing and quantising.
In Logic Pro X, selecting and opening an audio region in the Audio File Editor reveals both Track and File options, and the latter make permanent changes to the original file. With the Editor open, use the local Audio File menu to make a backup of the original file, so you can return to your starting point if things go wrong. Next, highlight a section of the file to edit, then choose a process from the Function menu. Options include gain change, normalise, reverse, fades and timestretch.
Just select the track you want to work on, place the playhead wherever you like and hit the Tab key to move to the next transient on that track. The quickest way to make accurate bespoke audio timing edits in LPX is to activate its Flex editing feature. Here's how it works Click or swipe through the gallery to view steps. Loading page content. Reply Helpful 1 Thread reply - more options Link to this Post. Seems to me like remove silence could do a more precise job removing background noise.
If theres a third or even fourth way to get the job done feel free to share!!!! Reply Helpful Thread reply - more options Link to this Post. Best of luck! Welcome to Apple Support Community. Ask a question Reset.
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